Screenwriting is a challenging dream to pursue. It is highly likely that most screenwriters will never master the art of writing for film. However, don't let this moral deflater we hear from most Hollywood insiders discourage you from chasing after this screenwriting dream. We just want you to know there are potential risks involved, so plan this dream accordingly.
In a PsychCentral.com article, an author shares the most common genres where novice writers fail to advance their screenwriting goals. Of these two genres, most writers overlook storytelling in favor of being overly creative. The mistake here is investing all this energy into writing that perfect script. We can't be perfect writers. Even the most prolific screenwriters have failed at writing. They don't quit. They pick up the broken pieces and rebuild. Criticism and constructive criticism are two opposing forces. Learn to deal with both.
There is no right or wrong way to break into Hollywood screenwriting. This dream to succeed at all cost may block writers from achieving the greatness they desire most. They want to get noticed really bad. For the most part, these writers refuse to make adjustments.
In the end, these screenwriters may write a terrible movie ending like The Devil Inside - the worst exorcism movie ever made. It violates the traditional exorcism structure. Watch the movie and see for yourself, how miserable this movie really is. We feel sorry for the unidentified demons who never got to reveal their names. It really sucks to not get noticed!
Use the co-screenwriters of this exorcism movie as an example that perfection is unnecessary. Write a bad, bad, bad movie about unidentified demons convincing a fictitious woman to murder fake church staffers and trick people into believing this is the scariest movie since The Exorcist, and you may have a real winner. It can make you into an instant millionaire, especially if you choose profit participation rather than accept a low 6-figure option.
Writing a terrible script on a sub-genre that has a built-in market can open the right doors. Go small now, then go big later. We're sure of it, that writing a less than perfect script can get your foot into the door. If not, squeeze through the window and make your case known; that you have what it takes to write movies.
Screenwriters have big dreams. It just so happens that only a few of these screenwriters reach them. Bad movies won't hurt your screenwriting career. Just look at Showgirls. Watch Speed 2: Cruise Control. Look at all the scripts that M. Night Shyamalan butchered after his breakthrough movies, The Sixth Sense and Unbreakable. Nothing is happening in The Happening, except a disaster premise and poor writing.
You have time to develop into an award-winning screenwriter the next time around. You need money to keep this dream afloat. It is that first bad script that will make this happen. As time goes on, you meet important and established people. Soon enough, your screenwriting will evolve. Ask Leigh Whannell and James Wan. Look at the brilliant award-winning screenwriter, Simon Beaufoy, and his Slumdog Millionaire and 127 Hours screenplays.
How can we reach this screenwriting dream without wasting valuable time? According to this author, he believes that television writing is an avenue worth walking down. In television writing, these writers can make a good living and develop scriptwriting skills in the process. It is possible that this paid television writing work may guide them into screenwriting.
Do you want to become a paid Hollywood writer? Or do you want to become a starving screenwriter? Pick your poison. Write for television and invest your off-time into writing a good spec script. Now that's a good plan to reach your screenwriting dream.
Check out the PsychCentral.com article here.
In a PsychCentral.com article, an author shares the most common genres where novice writers fail to advance their screenwriting goals. Of these two genres, most writers overlook storytelling in favor of being overly creative. The mistake here is investing all this energy into writing that perfect script. We can't be perfect writers. Even the most prolific screenwriters have failed at writing. They don't quit. They pick up the broken pieces and rebuild. Criticism and constructive criticism are two opposing forces. Learn to deal with both.
There is no right or wrong way to break into Hollywood screenwriting. This dream to succeed at all cost may block writers from achieving the greatness they desire most. They want to get noticed really bad. For the most part, these writers refuse to make adjustments.
In the end, these screenwriters may write a terrible movie ending like The Devil Inside - the worst exorcism movie ever made. It violates the traditional exorcism structure. Watch the movie and see for yourself, how miserable this movie really is. We feel sorry for the unidentified demons who never got to reveal their names. It really sucks to not get noticed!
Use the co-screenwriters of this exorcism movie as an example that perfection is unnecessary. Write a bad, bad, bad movie about unidentified demons convincing a fictitious woman to murder fake church staffers and trick people into believing this is the scariest movie since The Exorcist, and you may have a real winner. It can make you into an instant millionaire, especially if you choose profit participation rather than accept a low 6-figure option.
Writing a terrible script on a sub-genre that has a built-in market can open the right doors. Go small now, then go big later. We're sure of it, that writing a less than perfect script can get your foot into the door. If not, squeeze through the window and make your case known; that you have what it takes to write movies.
Screenwriters have big dreams. It just so happens that only a few of these screenwriters reach them. Bad movies won't hurt your screenwriting career. Just look at Showgirls. Watch Speed 2: Cruise Control. Look at all the scripts that M. Night Shyamalan butchered after his breakthrough movies, The Sixth Sense and Unbreakable. Nothing is happening in The Happening, except a disaster premise and poor writing.
You have time to develop into an award-winning screenwriter the next time around. You need money to keep this dream afloat. It is that first bad script that will make this happen. As time goes on, you meet important and established people. Soon enough, your screenwriting will evolve. Ask Leigh Whannell and James Wan. Look at the brilliant award-winning screenwriter, Simon Beaufoy, and his Slumdog Millionaire and 127 Hours screenplays.
How can we reach this screenwriting dream without wasting valuable time? According to this author, he believes that television writing is an avenue worth walking down. In television writing, these writers can make a good living and develop scriptwriting skills in the process. It is possible that this paid television writing work may guide them into screenwriting.
Do you want to become a paid Hollywood writer? Or do you want to become a starving screenwriter? Pick your poison. Write for television and invest your off-time into writing a good spec script. Now that's a good plan to reach your screenwriting dream.
Check out the PsychCentral.com article here.
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