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Showing posts with label screen writing. Show all posts
Showing posts with label screen writing. Show all posts

Thursday, January 14, 2016

Best Original Screenplay and Best Adapted Screenplay Oscar Nominations Announced

In the next 6 weeks, The Oscars® buzz will rule the entertainment waves. Academy Award® nominations were announced today in all categories, including the two coveted screenwriting categories. If you want to become a screenwriter, read these screenplays and understand them.

Congratulations to these Oscar® nominated screenwriters. We're sure you are all on Cloud 9 right about now. Keep inspiring the world with your amazing stories.

The following screenwriters were nominated for an Academy Award® in their respective category.




Best Adapted Screenplay

The Big Short - Charles Randolph and Adam McKay
Brooklyn - Nick Hornby
Carol - Phyllis Nagy
The Martian - Drew Goddard
Room - Emma Donoghue



Best Original Screenplay

Bridge of Spies - Matt Charman, Ethan Coen, & Joel Coen
Ex Machina - Alex Garland
Inside Out - Peter Docter, Meg LeFauve, & Josh Cooley
Spotlight - Josh Singer & Tom McCarthy
Straight Outta Compton - Jonathan Herman & Andrea Berloff





Friday, December 12, 2014

Screenwriting dreams locked away by life

Believe it or not, your unaccomplished screenwriting dreams are locked away in a vault, in an undisclosed location waiting to break free. What do you do to find this vault, and then unlock it? It is no simple task to become a screenwriter. But, however, passionate writers are up for this competition. They know what needs to be done in order to deliver their screenwriting dreams to Hollywood. With that idea in play, we can focus on our screenwriting dreams that are locked away by life.

Ever wonder why so many aspiring screenwriters fail to option screenplays that are made into movies shown on the silver screen. It is hard to option a screenplay. The right ingredients must be mixed together to whip up a decent movie. When we say decent, we mean that not all movies are good. Bad movies get optioned, get made, and get produced into real movies. 

Any movie that enters the box office is a success. It doesn't matter if these movies are good or bad. Thousands of screenplays reach Hollywood each year, but only a small fraction of those are optioned. Statistically, a smaller fraction of those are actually made into movies. How do we write what we know and make this interesting to option? 

Look at all the things you've done in life. Jobs you've taken. People you know. Stupid obstacles that make you laugh. Stories told to you. What you see on the street. Listen to at work. What is reported in the news. These premise ideas are there for you to seize, to capture, to make into movies. No more waiting for the perfect screenplay, to make this script right.

Lets look at the startup industry. Why do tech companies continue to search for software engineers? You'd think these startups are represented by top talents in their field. Well, they are stocked up. It never hurts to advertise and find another talented individual to join the team. 

Screenwriting works this way. Hollywood knows there are hundreds of unsolicited scripts stored in computers. These movies can easily make Hollywood millions of dollars in the box office. The problem here is locating these commercial screenplays that have the right ingredients. Diamonds in the rough are hard to come by, so for reason alone the major players are searching long and hard. 

We know your life can be interesting, though not the simple moments where you share a beer and talking about sports. We're talking about those stupid moments where you look up to the sky and yell. These are funny events, funny obstacles that make us life.

We live those real moments. We dislike the odds that are stacked up against us. We complain about our lives. When we watch these scenes at the movies, we can relate to them. We identify with these characters. We empathize with tear-jerking moments. Humanizing characters and telling a creative story are tricks to complete a quality screenplay.

It really sucks that these dumb obstacles put in every road are what hold us back from reaching Hollywood. This material sells. People enjoy watching these events play out on the silver screen. Add an unexpected twist at the end and now you have a dynamic piece of work. Start from the ending and move the story between this beginning to that big end. Interconnect these events with an ensemble cast that have a deep connection and this shows Hollywood you are a great screenwriter. 

You see, you can do it, too. Instead of investing all your time into writing that perfect screenplay, you can search for that screenwriting safe and unlock those ideas, events, experiences, jobs, family reunion disasters, and everything else known as life. Life may hold you back, but it will give you an edge. The scariest of moments, the funnest experiences, and the tough hardships you face, are what makes screenwriting worthwhile. If these scripts are written right, using the best techniques, these screenplays will sell. Screenwriters must write often, write religiously, and write with a mission to option their scripts.  

Think about these scenarios. A coder writes decent codes to make a mediocre website that lacks a theme. However, highly skilled coders write brilliant codes to create a dynamic app like Instagram. A team of coders write basic codes to keep a simple social networking website like Facebook operable. It is because Facebook gives people that 15 minutes of fame every day, that is what keeps this social networking company running. Facebook is the heart, whereas all its companies are outlets to expand their service base. Scroll down the board to see all those people happily sharing their lives.  

People want to tell their life stories. They want attention. They believe their life makes a good book. If this story is told wrong, then it lacks interest. The screenwriters who understand basic script formatting, basic storytelling, and know which events to include, will sell their screenplays in Hollywood. Don't listen to negative people. Locate that safe filled with unique, original ideas, and unlock these scenes, these moments called life. If you can do this, you will win in Hollywood. 


Tuesday, December 2, 2014

Every page is money in the Bank

I connected with another screenwriter, who is on the verge of optioning his series to a cable network. Because this writer was under an NDA, he couldn't share the name of the project and this cable network involved in the potential deal. That's cool, I understand that he must abide by the legal terms set aside in this contract. This cool writer shared a really awesome moddo to follow.

Several times during this conservation, this writer reiterated that we all must keep finishing pages because every page is money in the bank. I really like this phrase. The mindset of this writer explores how he attaches value to his writing, especially since many writers focus too much on developing multiple ideas rather than complete movie scripts in their entirety. 

It is all about finishing writing projects, instead of devoting endless days and nights discussing screenwriting and television writing on forums and never working toward a finished script. One completed spec script holds more value than several working scripts stuck in the First Act. 

It is true. Every completed page is money in the bank. Whereas ideas are a dime a dozen, completed screenplays have a shot at potentially selling if the execution of this writing and the storyline capture the essence of their intended purpose - whether the concept is highly commercial and/or this original spec script is salable under a popular genre. This screenplay may represent an artistic montage of the screenwriter's brainchild, their creative expression that is ready to divulge top secret ideas into an all-out silver screen mission to capture moviegoers.  

Write script pages to build value into an overall movie project. Writing outweighs talking. Talkers are not walkers. Writers are movers. They move every scene forward, closer to a completion. 

Indeed, every completed page is money in the bank. When the final page of this script is completed, now the writer has something to discuss with the right people. They can revise this script, as well. 

Keep writing. Focus on the main goal. Finish the script. Then, option this script to put money in the bank. 


Thursday, November 20, 2014

Original Scripts are going to make a return

Original Scripts

Original scripts reached their height in the 80's. However, originality has taken a backseat to comic book movies. Batman, The Avengers, Spiderman, Hulk, Iron Man, Superman, X-Men, and other superhero movies are generating billions of dollars in the worldwide box office. Artistic expression, as we see in Interstellar, is impossible without the credentials to back up such a large budget.

In Hollywood, writers must pay their dues to get a movie made. Writing a movie that appeals to a mass audience will win future projects. Would a great writer sacrifice creativity for longevity? Breaking into Hollywood requires a screenwriter to sell a spec script, write uncredited scenes, and/or hold writing experience in the television space.

There are several other strategies to get into Hollywood, such as winning screenwriting contests, film festivals, writing fellowships, writing programs, industry connections, and old-fashioned luck.

Why are comic book movies dominating the movie box office? One screenwriter, who is on the verge of selling his show, shared that comic book movies already have a built-in audience. It doesn't take much endless marketing to convince fans to watch these types of movies. Young children and adolescents, even adults, enjoy watching comic book movies.

Nonetheless, Hollywood is not ready to accept original movies quite yet. Soon enough, there will be a renaissance, a new movement, a resurgence where demand for original movies will outweigh remakes, reboots, comic books, books, sequels, and other movie types. For the most part, original movies take more effort to build a new market.

It seems movie studios are reluctant to gamble on new screenwriters and original screenplays. Past original movies nearly bankrupted studios, also resulting in executives getting pink slips for these lackluster duds.

Get ready for renewed demand in original scripts. In a few short years, Hollywood may be calling out for your original screenplays. Your hard work and dedication will pay off soon enough. Stay patient and never lose sight of the screenwriting dream. Originality is on the verge of making a comeback.

Keep writing original movies. 

Saturday, September 20, 2014

Start scenes with a problem and develop a resolution

The best writing techniques are switching traditional scenes up to start with down moments. We start with a major problem, but through intervention we resolve it. Think of your screenwriting as a counseling session, a form of therapy to rehabilitate this character.

In the beginning of a scene, a character shares a problem that causes a disaster. The character receiving this bad news will start a fight. We see this in cheating movies. We see this in the American Dream movies such as Pursuit of Happyness (ultimate struggle), Rocky(sports dream), American Beauty (good example of losing the dream), and Forrest Gump (dream through the ages). Life is hard, but if you stay persistent you will achieve the American dream.  

Write this way. Open scenes with conflict. Use reversals to solve problems. Open with a problem and leave with a solution. Make this scene a call to action. Try to change this character, detour them from their routine. But aside from their need to change, the character refuses to listen because they want to achieve the dream and nobody understands their fire and desire. 

This writing trick is psychology. People will understand these scenes, that is because they live their life this way, everyday. Millions of students are moving back home. Jobs are not hiring. Their degrees are temporarily rendered worthless. Until these characters can sustain theirs struggles and learn from them, they won't take the required steps to sought after change. They believe the world is looking down at them, criticizing their challenges and hardship. Whereas, these people should be looking up to reach the stars. God is giving them signs to make adjustments. 

Start scenes with conflict. Make this conflict unbearable to write. Live in the scenes. Become a fixture in your stories. Write with a purpose. Make problems so severe you stave off intervention. Writing is special because you create the real world through make-believe encounters. Life follows this paradigm. People digest these scenes, these stories. 

The next time you write a scene, think about opening with a major problem. Make the characters react in what you think is believable. Your audience will catch on and enjoy these real moments. Happy writing! 

Thursday, July 24, 2014

What genres do you master?

GENRES

Movie genres that attract the most box office business are action, science fiction, horror, comedy, adventure and war movies. Sub-genres of horror and comic book movies are highly popular among moviegoers. Hollywood banks on kids movies because this entertainment translates into large ticket sales. Typically, parents attend movie showings along with their children. Unfortunately, original movies are not as relevant as they once were in the past few decades. What genres do you master as a screenwriter?

People may ask screenwriters what type of movies they enjoy writing. Therefore, answering this question and knowing the types of genres you write best can make a name for yourself. Movie fans can identify you as a horror writer, or as a sci-fi adventure writer. 

Horror movies such as The Conjuring, Insidious Chapter II, The Purge, The Sixth Sense, The Possession all have something in common; these movies entertain our greatest fears. People love to watch scary movies that put them on edge. It is those jump scares that set off chills during these unexpected and terrifying moments. The high rush of getting scared packs movie theaters on opening night. The funnest experience is going to watch horror movies on a Friday night where teenagers provide secondary screams to amp up this chill fest. 

Horror movies cost less money to make and return a nice profit on this small investment. Screenwriters can break into the movie business by writing a good horror script. Science fiction horror movies are even better to write and produce because there is already a built-in fan base. Combining the two major genres together may attract fans from these two groups. 

Marvel has a huge grasp on the comic book movie business. They own the rights to most of their comic books and many characters within them, but there are characters (Marvel sold the rights to some of them) that other movie studios own. The Walt Disney Company is the parent company to Marvel Studios. However, Sony Entertainment owns the rights to Spiderman and Warner Bros. has creative control over Batman. Screenwriters not affiliated with these studios and don't have a hand in these comic books are cautioned to not write such movies. 

Spiderman is possibly the most lucrative Marvel character ever. It is this comic book character who spawned a billion dollar movie empire, worldwide. 20th Century Fox owns their fair share of comic book rights. They can make any movies on Wolverine, Fantastic Four,  and the X-Men. Iron Man has taken in massive box office business, where three movies earned nearly $1 billion in domestic ticket sales. 

Screenwriters and directors can write their own comic book. Director James Wan recently got optioned for his graphic novel, Malignant Man, which Fox now owns and can make a movie on this character. During the beginning of his Hollywood adventure, James probably never expected to be directing Fast and Furious movies or two two horror movies that went on to open at $40+ million in their opening weekends in the same year. 

Great screenwriters are in high demand. Hollywood needs more awesome scripts to make into profitable movies. Think commercial first, and then write creative later. 

What genres do you master? Are you a comedy writer like Tina Fey? A horror writer like Leigh Whannell? Science fiction writer? Crime movies? Pick your genre or genres and master them.

Visit AMC's FilmSite to view a list of genres here